In a society defined by our greatest and worst moments, out of chaos comes Letters from a Black Widow – a definitive statement of perseverance and liberation from Grammy-winning singer/songwriter and multi-instrumentalist Judith Hill. The album’s 12 songs masterfully reveal themes she’d explored only in therapy and nightmares. Stories of resistance, hard-won clarity and redemption are delivered through an unshakable soul, funk and blues foundation that resonates with a defiant, beautiful power.

Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year’s Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signaled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland.

In August 2023, Joe Bonamassa made his historic, first-ever appearance at the iconic Hollywood Bowl in his hometown of Los Angeles, where he was accompanied by a stellar ensemble of 40 orchestra members for a one-night-only event. Checking off another bucket list venue, Joe’s performance at the Bowl was his biggest production to date. Showcasing incredible orchestra arrangements from David Campbell, Trevor Rabin and Jeff Bova, fan-favorite songs are given new life on a much bigger scale.

After putting down the saxophone, the instrument he has become synonymous with, Shabaka returns with his first full-length album under his own name. Perceive Its beauty, Acknowledge Its Grace is a moving suite of primarily instrumental music. Shabaka is found playing the flute on this album, and has enlisted key artists such as Andre 3000, Lianne La Havas, Moses Sumney, Floating Points and more to help build this all-encompassing aural landscape.

After putting down the saxophone, the instrument he has become synonymous with, Shabaka returns with his first full-length album under his own name. Perceive Its beauty, Acknowledge Its Grace is a moving suite of primarily instrumental music. Shabaka is found playing the flute on this album, and has enlisted key artists such as Andre 3000, Lianne La Havas, Moses Sumney, Floating Points and more to help build this all-encompassing aural landscape. CD Softpak.

Bill Frisell’s expansive double album Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for the guitarist’s trio with bassist Thomas Morgan and drummer Rudy Royston. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

Bill Frisell’s expansive double album Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for the guitarist’s trio with bassist Thomas Morgan and drummer Rudy Royston. Sweeping orchestration evoking landmark film scores and Gil Evans alike move nimbly within and around the trio’s telepathic rapport, and Frisell’s shimmering trademark tone melds gorgeously with symphonic strings and brass.

Composer, singer, producer, and multi-instrumentalist Laufey continues her story with Bewitched: The Goddess Edition, an expanded version of her 2023 critically celebrated and GRAMMY-winning second album. Since the release of Bewitched, Laufey has proven how staying true to oneself can result in creating a space where people can find themselves. Bewitched has been wildly successful around the world, appearing on multiple year-end best-of lists, sparking an immediately sold-out tour and reaching No. 1 on Billboard’s Jazz charts. The Goddess Edition features four brand-new original songs including lead single "Goddess" and will be available on vinyl, cassette, and CD. The expanded package includes dark blue vinyl, an updated booklet, and a custom board game.

Night Reign is the new album from GRAMMY-winner Arooj Aftab, an ode to the night as her primary source of inspiration and a vivid reflection of the creative community she has fostered in her home of Brooklyn, New York. Featuring nine original compositions, three English-language tracks, and an array of guest artists, Night Reign is a perfumed, public garden of renewal, desire, shelter, and love guided by Aftab’s voice – its reach and intensity complementing the sun’s departure. Indie Exclusive Silver LP. Limited Edition.

Inspired by a lifetime of listening to jazz + woodshedding, Andrew Bird on his new album Sunday Morning Put-On presents his take on the Great American Songbook. Andrew Bird Trio features Ted Poor (drums) & Alan Hampton (bass), and transcends nostalgia, pushing his limits as an improviser. Replacing saxophones with violin solos, and showcasing Andrew's signature vocal prowess, the Trio reimagines jazz standards completely live in southern California’s legendary Valentine Studios.

Indie Exclusive - Lee Mendelson Film Productions (LMFP) is thrilled to announce the release - from recently rediscovered tapes - the complete Vince Guaraldi soundtrack to "It Was a Short Summer, Charlie Brown," the timeless 6th animated Peanuts® special, from writer and creator Charles Schulz, director Bill Melendez and producers Melendez and Lee Mendelson. Originally the special aired on September 27, 1969 on CBS-TV.

The album includes the original recordings that comprise the cues from the Special across twenty-six tracks, plus another 6 alternative tracks that have never been released or heard before.

Guaraldi lovingly created the soundtrack for the summer camp adventure where Charlie Brown and his gang face off against the girl’s camp lead by Peppermint Patty. The large jazz combo album also includes the best rendition of Guaraldi classic, "Love Will Come (Nova Bossa)" as well as the first use of additional percussion in Victor Feldman.

The recording features Guaraldi (piano), Monty Budwig (double bass), Jack Sperling (drums), Conti and Pete Candoli (trumpet), Frank Rosolino (trombone), Victor Feldman (percussion), Herb Ellis (guitar), Willian Hood and Peter Christlieb (woodwind), and John Scott Trotter as the orchestra leader. The soundtrack was produced by Sean and Jason Mendelson and restored and re-mastered by Vinson Hudson.

The album comes with liner notes that give a track-by-track analysis by Derrick Bang (author of "Vince Guaraldi at the Piano") and notes from Sean and Jason Mendelson, sons of Peanuts® producer Lee Mendelson. The album packaging also includes images from the special and images of historical documents from the found tapes.

Indie Exclusive - Pickin’ On Green Day is a collection of some of the biggest and best-loved songs from the legendary East Bay punks reinterpreted through the framework of classic bluegrass instrumentation and vocal stylings. Three groups from the Pickin’ On roster – The Sidekicks, Honeywagon and Cornbread Red – provide different shades of bluegrass to Green Day’s singular songwriting. Each track showcases what one always suspects listening to the great pop-punks – that underneath the distortion and attitude are classic, enduring hooks that transcend style.

Indie Exclusive - The Jazz Rewind label is back with another first edition recording by two American jazz giants, Sonny Stitt and Red Holloway. This saxophone duo regularly performed and recorded together since 1967. Sonny Stitt sadly passed away in 1982. This Cobden’s Place set from Manchester UK, 4 March 1981 is previously unreleased on any format. They perform alongside other jazz musicians including Vinny Parker (Piano), Pete Glennon (Bass) and Ron Parry (Drums). Enjoy this first edition LP on heavyweight orange colored vinyl.

Indie Exclusive - The Jazz Rewind label brings this rare concert recording to vinyl for the first time. Part of the Las Vegas Union series of live recordings from 1963. Personnel here includes Gerry Mulligan (Baritone Saxophone), Bob Brookmeyer (Trombone), Gus Johnson (drums) and Bill Crow (bass). The musical partnership of Gerry Mulligan and Bob Brookmeyer was quite special. In 1963, Mulligan was well on his way to becoming the best known baritone-saxophonist of all time while Brookmeyer was arguably the finest valve trombonist in jazz history. Both had complementary styles, witty ideas, very fluent technique and easily identifiable sounds. Enjoy this first edition LP on heavyweight blue colored vinyl.

“New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000

This deluxe 2-CD release comes in a tri-fold softpack.

Julian Lage returns with Speak To Me, his remarkable fourth release for Blue Note, which finds the guitar virtuoso broadening his sonic palette in collaboration with esteemed producer Joe Henry who enhances Lage’s trademark melodic lyricism on this wide-ranging set of compelling new originals. In addition to Lage’s longtime trio with Jorge Roeder on bass and Dave King on drums, the album also features contributions from saxophonist Levon Henry, keyboardist Patrick Warren, and Kris Davis on piano. Indie Exclusive 2 LP set on 180g bone-colored vinyl. Limited Edition.

Charles Lloyd’s new studio album features a newly assembled quartet of four distinctive voices with the legendary saxophonist joined by pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade. Recorded around Lloyd’s 85th birthday concert, The Sky Will Still Be There Tomorrow is a majestic body of work that presents Lloyd originals new and reimagined. The double-album finds one of the most significant musicians of the 20th and 21st centuries still at the peak of his powers.

A classic of the genre, “Way Out West” was tenor saxophonist Sonny Rollins’ first album for west coast label Contemporary Records when released in 1957. The first album to employ the “strolling” technique, Rollins was backed by Ray Brown (bass) and Shelly Manne (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl, and presented in a tip-on jacket.

What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, “J's week beats your year.”

What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. “When I'm writing for the band,” he says, “I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened.”

Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, “Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones.”

Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on “I Can't Find You,” where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew “Doc” Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, “Your Feel,” he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads.

What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly recognizable approach to making music.

So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him.

–Byron Coley

Acclaimed vibraphonist Joel Ross returns with the release of his remarkable album nublues, a collection of ballads and blues as seen through the lens of one of the most creative modern jazz groups featuring Immanuel Wilkins, Jeremy Corren, Kanoa Mendenhall, and Jeremy Dutton, as well as special guest Gabrielle Garo. The band moves seamlessly across the blues-imbued musical terrain of this 10-track set which includes 7 new Ross originals and pieces by John Coltrane and Thelonious Monk.

“New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000

This limited edition 3-LP vinyl is pressed on 180g black vinyl with fold out poster, printed inner sleeves and note from the artist.

Bassist and composer Marcel Bonfim’s debut album, Farewell / Despedida, features a set of original compositions and two unique cover arrangements, introducing listeners to his world of influences and experiences from growing up in Brazil then coming to the United States. Ranging from jazz to Brazilian popular music, the emotion pours from this debut offering.

The funk fans have been waiting for this one. Finally available on vinyl, Grant Green's near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green's band had been playing a series of live dates at Detroit's Club Mozambique, (before it became a fabled Male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green's current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you'd be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit ''Jan Jan'' by the Fabulous Counts next to laidback renditions of early 70's soul favorites ''Walk on By'', ''Patches'' and ''One More Chance'' by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can't go back in time, but if you close your eyes and light a cigarette, you might be convinced you're sitting in a wood-paneled club on Detroit's Westside enjoying Grant Green and his band tear it up.

313 Series
Detroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real.

For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann VMS-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. That's the Detroit way and the reason why the musical legacy from the 313 area code remains beloved around the world.

Grant Green - Guitar
Ronnie Foster - Organ
Idris Muhammad - Drums
Clarence Thomas - Soprano Sax, Tenor Sax
Houston Person - Tenor Sax

Recorded live at Club Mozambique - Detroit, MI 1971 by Francis Wolff