Featuring a tour-de-force performance from Shia LaBeouf as tennis great John McEnroe, the kinetic sports thriller BORG VS. MCENROE is based on the dramatic true events behind one of the sport's most famous rivalries.
At the historic 1980 Wimbledon Championships, rising American star McEnroe sets his sights on dethroning reigning champion Björn Borg, sparking an unprecedented media frenzy in the tennis world. At the center of the hype, two legendary tennis icons' with polar opposite personas and approaches to the game; McEnroe, infamous for his brash, ferocious energy on the court and his equally spectacular, expletive-fueled tantrums, versus Borg's coolly composed, elegant style of play which complements his unflappable public demeanor. However, both men are hiding deep anxieties, locked in battle with their inner demons. On the court, each athlete brings his immense talents -- and handicaps -- to bear in one of the most suspenseful events in sports history.
From the producers who brought you Neighbors and This Is the End, comes the outrageous comedy: Blockers. When three parents (John Cena, Leslie Mann and Ike Barinholtz) stumble upon their daughters' pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.
The Nude Party – one of 2018’s most groovy and dynamic rock records is produced by Oakley Munson of The Black Lips and recorded in Woodstock, NY at Dreamland Recording Studios, the circa-1896 former St. John’s Church. The self-titled album finds that formidable music machine cranked all the way to cosmic. Maybe it’s the electric waters of Lake Norman, NC where the band spent a primordial summer, or the upstate New York vibes that have beckoned American spiritualists and storytellers for a dozen generations, but something gives these cats a glow. At very least the numerology scans. Even when heartbreak crashes the party, like on the hilarious “Records,” the buoyancy of the band’s demeanor negates the inevitable bummer. From the self-aware irreverence of “Chevrolet Van” to the apocalyptic resignation of “War Is Coming,” The Nude Party surfs heavy wavelengths with elegance and grace.
This July marks the 50th anniversary of one of the most iconic and groundbreaking animated films of all time with a limited run of screenings around the world. As part of the celebrations, Capitol are releasing this picture disc of the title song, Yellow Submarine b/w Eleanor Rigby, which together was originally released as the band’s 13th single in August 1966.
Featuring images taken from the high resolution 4k restoration of the film, this limited edition single is a fun way for us all to join the party!
A band intuitively connected to great, homespun British pop, “Palo Santo” announces Years & Years’ ascension to the world stage, through an escapist futuristic fantasia created by Olly Alexander. A once-in-a-generation frontman who understands more than most his responsibility as a pop star, his personal leap forward in scope and ambition is reflected in the album’s colorful mix of collaborators, which range from Greg Kurstin, Julia Michaels and Justin Tranter to Steve Mac and Sarah Hudson.
Erasure are delighted to announce a brand new live album, World Be Live, via Mute. Taken from their recent sold out European tour in support of 2017’s World Be Gone, the album was recorded across the band’s recent London shows at the Eventim Apollo in Hammersmith and completes the trilogy of album releases around the World Be Gone project which started with 2017’s World be Gone album and continued with the orchestral re-imagining of those songs, World Beyond, in March of this year. Featuring twenty-four classic tracks from throughout their career (including an exclusive cover of Blondie’s 1981 classic “Atomic”), World Be Live will be released as 2CD, 3LP, and digitally on July 6, 2018 via Mute.
Founded in 1991 Immortal has often been the bench mark when it comes to quality extreme metal. The Norwegian natives released their debut album “Diabolical Fullmoon Mysticism” in 1992. Since then they have released eight full length releases, the last two, “All Shall Fall” (2009) and “Sons of Northern Darkness” (2002), were released on Nuclear Blast.
Going against the grain comes naturally for DevilDriver. The globally-renowned California Groove Machine have been a constant and effective force in the heavy metal world for the best part of two decades now. Thanks to widely lauded albums like 2005’s epoch-shredding The Fury Of Our Maker’s Hand, 2011’s ante-raising, ultra-brutal Beast and 2016’s acclaimed career peak Trust No One, the band led by vocalist Dez Fafara (ex-Coal Chamber) are firmly established as one of the most consistent and best loved bands in modern metal. But in 2018, expectations are about to be torched in the mother of all campfires! A monstrous collection of savage and slamming metal interpretations of Dez and his comrades’ favourite outlaw country songs, Outlaws ‘Til The End is both a startling curveball and a ferocious statement of individuality from a band with cojones to spare. “The blues and outlaw country are what made rock’n’roll. They were around before rock’n’roll...and in my head, I’ve always heard these songs heavy“, explains Dez. From the opening seconds of DevilDriver ‚sface-flaying version of Hank III’s ‘Country Heroes‘ (featuring the man himself on guest vocals) onwards, Outlaws ‘Til The End is simply one of the most vicious records the band have made yet. More importantly, these evocative, irresistible songs have all been wholly rebuilt from the ground up, powered by the classic DevilDriver sound and embellished with Dez’s unmistakable feral roar. Completing this unprecedented project is a host of metal and country luminaries providing unforgettable cameos: Wednesday 13, Brock Lindow (36 Crazyfists) Burton C. Bell (Fear Factory), Lee Ving (Fear), Randy Blythe and Mark Morton (Lamb Of God) and none other than John Cash Jr, son of Johnny Cash. The perfect marriage of badass country grit and neck-wrecking groove metal supremacy, it’s a pistol-packing game-changer delivered by true heavy metal outlaws.
The Melbourne nine piece funk-soul powerhouse The Bamboos return with a new single “Lit Up” taken from their forthcoming al- bum, Night Time People, the group’s eighth studio album due out June 8 through Pacific Theatre/BMG. Millions of listeners globally are already familiar with the winning combination of The Bamboo’s guitarist / leader Lance Ferguson and vocalist Kylie Auldist, thanks to “This Girl” by Kung Vs. Cookin’ On 3 Burners. One of 2016’s biggest chart hits, “This Girl” was a remix of a 2009 track co-written by Ferguson that showed that the world was craving pop music with genuine soul.
Mute announces a special deluxe edition of Silver Eye, Goldfrapp’s acclaimed seventh album from 2017. If 2013’s Tales of Us, a set of noirish folk fables, roamed the same pastoral landscape as Felt Mountain and Seventh Tree, then Silver Eye (a reference to the moon) belongs to the pulsing, electronic lineage of Black Cherry and Supernature only deeper and darker. The common thread between these two modes, apart from the consistently exquisite arrangements and Alison Goldfrapp’s extraordinary voice, is a set of enduring preoccupations, which inform both the lyrics and the visual aesthetic. “Mysticism, ecstasy, ritual, contemplation, metamorphosis, the elemental,” says Goldfrapp, who took all of the photographs and creatively directed all artwork visuals. “I’ve realised that there are things I feel passionate about on a deep level and they’re in this record.” On Silver Eye, for the first time, Alison Goldfrapp and Will Gregory sought new collaborators as the songs were taking shape. They spent 10 days in Dallas with John Congleton, Grammy-winning producer of St. Vincent, John Grant and Wild Beasts. In London, they teamed up with electronic composer Bobby Krlic, aka The Haxan Cloak. Alison Goldfrapp describes Goldfrapp’s music-making as “a constant quest. I don’t think you ever feel like you’ve achieved everything, it’s impossible. You’re always searching, trying to attain some kind of utopia in what you do.” With Silver Eye, that search has taken them to yet another new place, one that’s full of mystery, menace and transcendent beauty. Goldfrapp’s quest continues. Featuring the original album plus remixes of such classic tracks as “Anymore” and “Systemagic” alongside two previously unreleased tracks (including a newly recorded version of “Ocean”), Silver Eye: Deluxe Edition will be released July 6, 2018 as a 2CD set and digitally via Mute.
YUNGBLUD’s debut album 21st Century Liability will be released on July 6, 2018 via Geffen Records & Locomotion Recordings. “Blending poetic, provoking lyrics with explosive hooks”, lead single “Medication” follows up his alternative charting track “I Love You, Will You Marry Me”, performed earlier this year on Late Night with Seth Meyers. YUNGBLUD will perform on this summer’s final Vans Warped Tour and embark on his first North American headlining tour this fall.
Sing For The Day! showcases Styx guitarist/vocalist Tommy Shaw's rousing 2016 solo turn with the Cleveland-based Contemporary Youth Orchestra, under the direction of principal conductor/founder Liza Grossman. Alongside guitarist/musical director Will Evankovich and backed by the next generation of the finest high-school-aged musicians in Ohio, Shaw also celebrates the tenth anniversary of Styx's triumphant 2006 One With Everything performance with the CYO. Here, the CYO & Chorus bring new life to many classic band and solo tracks in front of an enthusiastic audience at the intimate Waetjen Auditorium in Cleveland, including "Blue Collar Man," "Girls With Guns," "High Enough," "Too Much Time on My Hands," "Crystal Ball" (featuring the debut of its never-recorded lost verse), and most especially "Renegade," highlighted by an epic guitar/violin duel between Shaw and a noted CYO alum. "It was so much bigger and more everlasting than any of us imagined it would be," marvels Shaw - now see and hear just how magical Sing was for yourself.
Scream for Me Sarajevo is the story of the most unlikely of rock concerts, performed by Bruce Dickinson in 1994, in the midst of the Siege of Sarajevo. This is a film about extraordinary people defying the horrors of war, and the musicians who risked their lives to play a show for them. This documentary features footage from the historic gig, recent interviews with Bruce, the band, crew, security and also the people of Sarajevo that lived through the war.
"We weren’t protected, there was no plan and the bullets were real, but f*** it, we went anyway” said Bruce in his recent best-selling autobiography What Does This Button Do?, “The gig was immense, intense and probably the biggest show in the world at that moment for the audience and for us. That the world didn’t really know didn’t matter. It changed the way I viewed life, death, and other human beings”
The cultural aversion to a group of punks in a conservative Texas town leads to one of the most controversial hate crimes in American history. Based on the true story of Brian Deneke, Bomb City questions the morality of American justice.
Six-time Grammy-nominee Florence + the Machine to release hugely-anticipated new album ‘High As Hope’ June 29th via Virgin EMI / Republic Records. ‘High As Hope’ is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. The first official single ‘Hunger,’ is out now.
My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.
Single LP on black vinyl with printed inner sleeve. Includes coupon for full download
Formed in Brooklyn in 1998, The Essex Green released four albums between 1999 and 2006. They became one of the few bands from the Northeast to be associated with the groundbreaking Elephant 6 Collective. Their unique blend of harmony-infused pop music culminated in the 2006 release of Cannibal Sea.
Sasha Bell, Jeff Baron, and Christopher Ziter were last seen together in the late aughts, waving from their van as they bid farewell to Brooklyn. And then, the unthinkable: The Essex Green went silent. But why? Legal cannabis? Climate change? Bad oysters? Nothing so dramatic. It was a simple promise made among them to chase down their separate dreams: Baron to build a houseboat and navigate the mighty Allegheny, Monongahela, and Ohio Rivers; Ziter to return to his home state of Vermont and lead local fermentation efforts; and Bell to decamp to Montana to study elk rutting.
Having achieved their goals or not, they vowed to break their silence in secret on the frigid waters of Lake Champlain during the blood moon eclipse of 2015 when the effect of the moon in Libra would be most powerful. Over the next two years, the three continued to meet and record in undisclosed locations. The result is Hardly Electronic, a music mapping of the trio’s personal journeys over the past decade.
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
The Appetite For Destruction: Super Deluxe Edition features 4CDs including the album newly remastered for the first time ever; B-sides N’ EPs newly remastered; the previously unreleased 1986 Sound City Session N’ More recordings; a Blu-ray Audio disc with the album, bonus tracks and music videos in brand new 5.1 surround sound along with the unearthed music video for “It’s So Easy” originally shot in 1989 but never finished; and a 96-page hardcover book showcasing unseen photos from Axl Rose’s personal archive and wealth of memorabilia. In addition, the Super Deluxe Edition contains collectables like never-before-seen band lithos, replica concert tickets, a wall poster, temporary band member tattoos , a Robert Williams painting litho, and a replica “Welcome To The Jungle” video shoot invite flyer originally drawn by Slash.
Single LP on black vinyl in single sleeve. Includes coupon for full download
Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.
Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.
Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.
There comes a point in every career of note, when it’s time to dig a trench in the turf; to define exactly who you are in a way that resonates in the broadest possible manner. For Bullet For My Valentine – now two decades deep into their story, one of rock and metal’s foremost names, a genuine success – that time is now. Produced and mixed by Carl Bown, ‘Gravity’ (the UK band’s sixth studio album, the follow-up to 2015’s ‘Venom’) sees the musicians delivering a body of work that looks set to add extra layers of excitement and meaning both to their own trajectory and to the genre per se. At a time when the international scene feels ready for a serious shot in the arm, ‘Gravity’ is an album of true craft and vision – an ambitious labour of love with the weight and the punch that the band’s extensive, ever-burgeoning fan-base has come to expect, a point made in style by lead single / video ‘Over It’, whilst adding enough in terms of atmosphere, melody and contemporary sheen to spin heads in wider circles.
Backed up by an extensive worldwide touring plan that sees BFMV’s strongest ever line-up playing major shows and festivals for the whole of 2018 (and beyond), ‘Gravity’ already feels like an important album. Simply, this is frontman Matt Tuck and his fellow players thinking big and bold and refusing to compromise or back down.
The title is ‘Gravity’, but the music is set to rise like a rocket. Let the countdown commence…
The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”
Unknown until 2004 and unheard until now, these recordings by the John Coltrane Quartet are, as Sonny Rollins says in the liner notes, “like finding a new room in the Great Pyramid.” With the discovery of the ¼”reference tapes that Coltrane took home with him after the recording session a session that was completely unknown and for which master tapes don’t exist an important chapter in the evolution of Coltrane’s music can now be heard for the first time. Featuring the Classic Quartet John Coltrane, McCoy Tyner, Jimmy Garrison and Elvin Jones and recorded at the end of a two week run at Birdland, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected and reaching in new, exploratory directions that were to affect the trajectory of jazz from that point forward.
The Interrupters are an L.A. based four-piece bound by their rebel spirit and deep love of punk, rock, ska and 2 Tone. They make super high-energy rock -n-roll that’s equal parts catchy and confrontational. Their third album, Fight The Good Fight, was produced by Rancid’s Tim Armstrong and released on his Hellcat imprint for Epitaph Records. The album features front-woman Aimee Interrupter, guitarist Kevin Bivona, bassist Justin Bivone and drummer Jesse Bivona, spitting out lyrics that take on matters as thorny as family, friendship, martial law and loyalty, while churning out bouncing rock-steady rhythms and snarly guitar riffs. The Interrupters have built their live act of unstoppable energy and a feeling of easy community that reflects their familial vibe. They had toured the world with the likes of Green Day and Rancid and played huge festivals from The Vans Warped tour to Coachella. “There is usually a dance party going on in the crowd, which we appreciate since we always have our own dance party happening on stage,” says guitarist Kevin Bivona. The Interrupters will be dancing their way to a town near you this summer on many festivals and tours including The Punk in Drublic Festivals, Back to The Beach Festival and the Main Stage on Vans Warped Tour.
On the group's sixth album, Passwords, inspiration pulls guitarist/ singer Taylor Goldsmith, drummer Griffin Goldsmith, bassist Wylie Gelber, and keyboardist Lee Pardini into their most universal, topical territory to date. This is a record about the modern world: the relationships that fill it, the politics that divide it, the small victories and big losses that give it shape. Taylor's writing is personal at points - the result of his recent engagement, which lends a sense of gravity and self-reflection to album highlights like "Time Flies Either Way" and "I Can't Love" - but it also zooms out, focusing not on the director himself, but on everything within the lens.
Nine Inch Nails will release their new album Bad Witch on June 22, completing the trilogy that began with 2016’s Not The Actual Events and 2017’s ADD VIOLENCE. Nine Inch Nails will launch COLD AND BLACK AND INFINITE NORTH AMERICA 2018 on September 13 with support The Jesus and Mary Chain. The band will bring their "musical, visual, emotional sensory onslaught,” as hailed by The New York Times, to some of the most iconic venues in the USA.
The band continues with their signature gritty, rock & roll, blues sound on All Of This Life, their second album following up a Grammy-nominated and hit-filled debut. The new album incorporates the band's organic style, but provides a richer, full expanded sound using Boulevard Recording Studio and mixes by Mark Needham (The Revivalists, Blue October, Newsboys, Fleetwood Mac, The Killers, Imagine Dragons, etc...). This album is comprised of stories about moving through difficult times in life and coming through the other side as shared by their fanbase over the last two years of non-stop touring.
"After being away in New York for months doing Kinky Boots, I just wanted to hang out at home when I got back to LA. I was so revved up that I asked some friends to come over to my home studio to help me write about all the incredible things I've experienced the last couple of years," said Brendon Urie, Panic! At The Disco frontman. "Pray For The Wicked is my 'thank you' to our fans and the most fun I've ever had making album."
Resistance Is Futile', the band's 13th studio album, heralds a return to a classic Manics sound described by the band as "widescreen melancholia". The songs on the album are the first recorded in the band's new Door to the River studio (near Newport). Of their first new recordings in four years, the band said: "The main themes of 'Resistance is Futile' are memory and loss; forgotten history; confused reality and art as a hiding place and inspiration. It's obsessively melodic - in many ways referencing both the naive energy of 'Generation Terrorists' and the orchestral sweep of 'Everything Must Go'. After delay and difficulties getting started, the record has come together really quickly over the last few months through a surge of creativity and some old school hard work."
Soulwax are the first artists to ever submit an entire hour's worth of original material for a BBC Radio 1 Essential Mix. ''It felt like a challenge,'' the band explain, ''and something no-one had done. We loved the challenge of releasing a full record live on a radio show without people having any advance notice, and we always wanted to release it on DEEWEE after it was aired on Radio 1.'' Recorded in just under two weeks at Soulwax's DEEWEE studio in Gent, it comprises 12 tracks named ''Essential One'' through ''Essential Twelve'', each one based around the word essential.
Chart topping singer/songwriter Bebe Rexha will release her highly anticipated debut album, EXPECTATIONS via Warner Bros. Records. In addition to Bebe co-writing and co-producing every song on the album, EXPECTATIONS is also produced by Max Martin, Ali Payami, JUSSI, Jason Evigan, Louis Bell, The Stereotypes and Hit-Boy.
Pantera: Live at Dynamo Open Air 1998 catches Pantera at their ultimate height, touring their seminal ‘Great Southern Trendkill’ and ‘Live 101’ live album of the previous year. Their electric set includes Pantera classics ‘Walk’, ‘I’m Broken’, ‘This Love’ and new songs of the time ‘War Nerve’, ‘Suicide Note Pt. II’ and ’Sandblasted Skin’. Phil Anselmo’s brutal vocals over one of the tightest and fiercest musical backings in metal history of Vinnie Paul, Dimebag Darrell and Rex Brown. A genuine slice of metal history, available for the first time.
Athens, Georgia's T Hardy Morris (Dead Confederate, Diamond Rugs) is set to release his third solo album on May 24, 2018. Titled Dude, The Obscure, the album is a work that Morris says, "flowed from a creative space I found at the intersection of dreams and reality." In captivating songs, Morris sheds the traps of ambition and nostalgia and uncovers the strange satisfaction of living in the moment. Even the album title, “Dude, The Obscure,” hints at self-discovery. In an homage to English author Thomas Hardy’s novel, “Jude, The Obscure,” Morris reveals his love for literature, philosophy and poetry — along with a secret about his stage name. “Thomas Hardy is my given name, and Dude, The Obscure is a moniker I considered using as an artist,” Morris said. “The hat tip to the novel seemed appropriate for the album because it deals with doubts, joys, regrets and spirituality, a lifelong journey and such." Each song on the album seems compelled by Morris’ desire to help himself— and others— conquer the void of everyday meaninglessness. It’s an effort philosopher Maurice Blanchot described as the anguish of writing: “You have to cross an abyss, and if you do not jump, you do not comprehend.” Morris takes that leap to find universal truth by navigating sometimes opposing perspectives within moments that change lives. Morris beautifully warns us not to succumb to the fear of missing out that stands in the way of contentment on the album’s defining moment, “Cheating Life, Living Death.” Every dream is an invitation/ To leave your love up on the shelf/ When you walk out every evening/ Cheating life and living death." For the sessions, Morris made the familiar pilgrimage to Adam Landry’s home studio in Nashville. The longtime collaborators took their time and gave each song the opportunity to grow unaffected by outside influence except the magic that happens when two friends lock themselves in a smoky shed to make music, and a few pals stop by. Within 11 powerful songs, the Athens rocker reveals scars and shares lessons from an indie-rock odyssey that has taken him around the world and back home to find himself a little older and closer to something like enlightenment. And just in time for a new journey to begin.
Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio. The group play tracks from Jones’ sixth solo album Day Breaks and a selection of hits from her extensive catalogue including the hit singles, 'Carry On', ‘Flipside' and 'Don’t Know Why’.
John Boyega (Star Wars series) is the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity's victory against the monstrous "Kaiju". Now an even more fearsome alien threat has been unleashed on the world and Jake is called back into action by his former co-pilot, Lambert (Scott Eastwood), and a 15-year-old Jaeger hacker, Amara (Cailee Spaeny). Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.
It's rare that a band's debut album sounds as confident and self-assured as Rolling Blackouts Coastal Fever's Hope Downs. To say that the first full-length from the Melbourne quintet improves on their buzz-building EPs from the last few years would be an understatement: the promise those early releases hinted at is fully realized here, with ten songs of urgent, passionate guitar pop that elicit warm memories of bands past, from the Go-Betweens' jangle to the charmingly lo-fi trappings of New Zealand's Flying Nun label. But don't mistake Rolling Blackouts Coastal Fever for nostalgists: Hope Downs is the sound of a band finding its own collective voice.
Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017. Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.
That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.
Recorded with his band in Manchester at Marr's Crazy Face studios, 'Call The Comet' is the third solo record from the Smith's guitarist and follows 2013's critically acclaimed The Messenger and 2014's Playland; both of which made the UK top 10. "Call The Comet is set in the not-too-distant future" says Marr, "and is mostly concerned with the idea of an alternative society. It's my own magic realism." Songs include Actor Attractor, Walk Into The Sea, Bug and recent live favourite Spiral Cities. "The characters in the songs are searching for a new idealism, although there are some personal songs in there too. It's something that people like me can relate to." Says Marr.
The Gaslight Anthem and SideOneDummy celebrate 10 years of the seminal album, The '59 Sound. New compilation features rare, unreleased, and alternate takes recorded during the '59 Sound sessions. Launching a tour in celebration of the 10th anniversary of the album, kicking off May 27th in Washington D.C.
In the months since the passing of Linkin Park vocalist Chester Bennington, Shinoda has immersed himself in art as a way of processing his grief. With no agenda, Shinoda hunkered down alone in his Los Angeles home and began writing, recording, and painting. In January, he released the Post Traumatic EP consisting of three deeply personal songs - each one a powerful, stream-of-consciousness expression of unvarnished grief - accompanied by homemade visuals that Shinoda filmed, painted and edited himself. The response was overwhelmingly positive,with New York Times stating "The tracks are reverberant electronic dirges; the rhymes, heading into sung choruses, testify to bewilderment, mourning, resentment, self-pity and questions about what to do."
Following the EP release, Shinoda continued to create, and the result is the upcoming Post Traumatic, a transparent and intensely personal album that, despite its title, isn't entirely about grief, though it does start there. "It's a journey out of grief and darkness, not into grief and darkness," Shinoda says. Ultimately, Post Traumatic is an album about healing. The songs, though specific about Shinoda's experience with loss, manage to be universally relatable, thanks to their honesty and heart. "If people have been through something similar, I hope they feel less alone," he says. "If they haven't been through this, I hope they feel grateful."
‘The Studio Albums Vinyl Collection 1971 – 2016’ presents this monumental era in Rock N’ Roll history in a highly bespoke, lenticular mounted, limited edition box-set housing the 15 x Studio Albums from Sticky Fingers through Blue & Lonesome in faithful & intricate original packaging replications. Every album has been lovingly remastered & cut at revelatory Half-Speed at Abbey Road Studios from vinyl specific original tape transfers designed to get the very best possible sound from the format. Each album is pressed on heavyweight 180-gram black vinyl, includes a download card for HD digital redemption of the catalogue & includes a numbered certificate of authentication.
Melody's Echo Chamber (aka Melody Prochet) has confirmed her second album, Bon Voyage, will be released on June 15th on Fat Possum Records. Made up of seven expansive tracks, Bon Voyage marries Melody's breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).
Bon Voyage is a collaborative record between Prochet and Dungen's Reine Fiske and The Amazing's Fredrik Swahn with Melody sculpting and producing the sessions as well as encouraging the players around her to experiment, often with instruments that might be less familiar to them. It also features special guests Gustav Esjtes and Johan Holmegaard (both from Dungen) and Nicholas Allbrook (Pond).
Nicki Minaj to release her fourth studio album, 'Queen,' on 8/10 via Cash Money Records / Republic Records. The album will include previously released tracks, 'Chun-Li,' 'Rich Sex,' and new track 'Bed (feat. Ariana Grande).' Her current single 'Chun-Li' is quickly approaching Top 5 airplay at Urban radio and recently broke into Top 10 airplay at Rhythmic radio. Nicki will support her album with a 28-date North American headlining tour with Future, which commences 9/21 in Baltimore and concludes 11/24 in Las Vegas.
The album serves as a follow-up to the 2014 LP "YES!", and is Mraz's first full-length studio recording in over four years.
The bulk of the album was written against the backdrop of the 2016 Presidential election and its aftermath, and Mraz found himself writing a lot of "frustrated, angry, even sad songs, but nothing I wanted to sing." Instead he has chosen to convey an uplifting, positive message.
Know. was produced by Andrew Wells, who brings an organic and groovy feel to the album's classic, acoustic rock sound.
Through four full-length albums, Dawn Landes has blazed her own path with songs that are as fresh as they are timeless. Still, there's no mistaking that strains of Nashville reside in her voice and in her musical soul, and now, with her fifth album, Landes is finally bringing them to center stage. Meet Me at the River is Landes' self-described "Nashville record," and she has assured its pedigree by enlisting the production skills of Fred Foster, the Country Music Hall of Fame member who played a pivotal role in the careers of Dolly Parton, Roy Orbison, and Kris Kristofferson. Download Card Included, Limited Edition Sage Green Vinyl.
High Water I is the first album of original material from The Magpie Salute. The album, pressed on 2LP, is limited to 1,000 copies pressed on blue and white splattered vinyl. These colors will not be used on future pressings of High Water I.
This is the story of The Magpie Salute. As much as the group represents a musical union of swaggering rock ‘n’ roll, psychedelic blues, and campfire-worthy storytelling, it also marks a reunion of musicians whose paths twisted and turned right back to each other. Pulled together by guitarist Rich Robinson, it continued a storyline he began in the Black Crowes with guitarist Marc Ford and bassist Sven Pipien. Meanwhile, vocalist John Hogg shared Hookah Brown with Robinson as keyboardist Matt Slocum and drummer Joe Magistro both joined him for solo records and tours over the years.
British rock band Marillion, founded in 1979, have become one of the most commercially successful neo-progressive rock bands of the 1980s and are still one of the most outstanding representatives of their genre. Throughout a celebrated career that has spanned almost four decades they have released 18 studio albums and sold over 15 million copies worldwide. On October 13, 2017, Marillion played at the Royal Albert Hall for the very first time. The concert was sold out in a split second and the audience, travelling from all over the world, was rewarded with an incredible Marillion show. In two parts, "All One Tonight" firstly showcases the band's acclaimed 2016 studio album 'F E A R' in full. Accompanied by an awe-inspiring light show and films, Marillion perform their incisive and era-defining zeitgeist with unparalleled passion and power. The second half introduces 'In Praise Of Folly' and guests, a string quartet with flute and French horn that throughout the rest of the show inject an extra depth and emotion to some of Marillion s best-loved live material. The concert film was directed and edited by Tim Sidwell and recorded and mixed by Michael Hunter. Available on 2CD, 2DVD, 2 Blu-ray, 4LP (180 gram) vinyl and Digital